The Menace of the Religious Movie - Part 9

7. I am against the religious movie because of the harmful effect upon everyone associated with it.

First, the evil effect upon the "actors" who play the part of the various characters in the show; this is not the less because it is unsuspected. Who can, while in a state of fellowship with God, dare to play at being a prophet? Who has the gall to pretend to be an apostle, even in a show? Where is his reverence? Where is his fear? Where is his humility? Any one who can bring himself to act a part for any purpose, must first have grieved the Spirit and silenced His voice within the heart. Then the whole business will appear good to him. "He feedeth on ashes; a deceived heart has turned him aside." But he cannot escape the secret working of the ancient laws of the soul. Something high and fine and grand will die within him; and worst of all he will never suspect it. That is the curse that follows self-injury always. The Pharisees were examples of this. They were walking dead men, and they never dreamed how dead they were.

Secondly, it identifies religion with the theatrical world. I have seen recently in a Fundamentalist magazine an advertisement of a religious film which would be altogether at home on the theatrical page on any city newspaper. Illustrated with the usual sex-bate picture of a young man and young woman in tender embrace, and spangled with such words as "feature-length, drama, pathos, romance," it reeked of Hollywood and the cheap movie house. By such business we are selling out our Christian separation, and nothing but grief can come of it late or soon.

Thirdly, the taste for drama which these pictures develop in the minds of the young will not long remain satisfied with the inferior stuff the religious movie can offer. Our young people will demand the real thing; and what can we reply when they ask why they should not patronize the regular movie house?

Fourthly, the rising generation will naturally come to look upon religion as another, and inferior, form of amusement. In fact, the present generation has done this to an alarming extent already, and the gospel movie feeds the notion by fusing religion and fun in the name of orthodoxy. It takes no great insight to see that the religious movie must become increasingly more thrilling as the tastes of the spectators become more and more stimulated.

Fifthly, the religious movie is the lazy preacher's friend. If the present vogue continues to spread it will not be long before any man with enough ability to make an audible prayer, and mentality enough to focus a projector, will be able to pass for a prophet of the Most High God. The man of God can play around all week long and come up to the Lord's Day without a care. Everything has been done for him at the studio. He has only to set up the screen and lower the lights, and the rest follows painlessly.

Wherever the movie is used the prophet is displaced by the projector. The least that such displaced prophets can do is to admit that they are technicians and not preachers. Let them admit that they are not God-sent men, ordained of God for a sacred work. Let them put away their pretense.

(A.W. Tozer)